27 October 2012
A town from the past
14 October 2012
On the matter of children and oath taking
And people in their teens, mid twenties and older and older still – the grand middle class in the world is converging towards some unspeakable and mindless and horrifying mean; conforming to the standards that have been laid down by the consumerist culture and the accompanying bombarding ubiquitous messages – buy, splurge, booze, eat, shop, preen in public, go with what titillates the senses but nothing more, and make sure you have the cash to throw out. And that’s what we have…an increasingly mindless planet in which the masses cannot distinguish at all amongst what is shallow and filthy and crude and disgusting or mind-numbing and what lies in the middle and what is the true and the good and the beautiful. It makes me go back to my original rant that little children need to be taught what is good and beautiful and what is ugly, among other things...And what can I say about the great majority of sociologists who ignore the matter of "values" altogether or imagine that values are too "fuzzy" to talk about as sociologists or don't want to investigate why it is that we are becoming so mindless that "50 shades" becomes a best-seller and the "gangnam style" video gets million hits and is applauded by VIPs around the world...maybe for more than most it is a matter of "living in glass houses" when they aren't in their academic towers or maybe we are happy taking pot-shots at the "culture industry" and the media, and maybe many haven't ever articulated what values they themselves live by. While being prodded into being reminded of "A Brave New World", I was reminded of Orwell’s "1984", and there is a very interesting comparison between the two books on Wikipedia ("Anthem" is a book I'd place in the same category but as a mirror image).
What I do wonder about is why people who when young and have the opportunity to learn a little from someone who is better don't try harder.
I know how easy it is to feel unnervingly lonely or be swept away or to feel horrified and this in spite the fact that I've always been, as far as I can remember, a thinking & feeling being more than anything else, I think, and I know I've been deucedly lucky and blessed in a couple of ways, which makes me wonder all the more at times.
11 August 2012
Why I'm not a feminist...
16 March 2012
*Clowns to the left of me, jokers to the right....*
2 February 2012
A sudden musing on (the English) language
Language is a strange and curious affair. I sometimes still get confused whether it is a tangible or intangible part of culture; I can’t make up my mind. Using language well can be compared to much. It can be like a dance, like a blend of dance moves mixed with precision movements drawn from the martial arts. It can be a war of legs, as in the tango. It can be the casual, almost limpid, lazy movements of a person with a sense of perfect rhythm, dancing to some music playing on the radio while doing this and that and the other. It can be like a body cutting through air and water and executing a breathtaking dive…it can be a painting or a picture capturing more than a thousand words, bringing to mind connected images and emotions. Used well, language transforms intangible feelings and invisible thoughts, brings back memories, gives them shape and form like a clay shaper, makes them real to the hearer or reader. It can be an audio and visual and tactile affair or just one or more. Sometimes it makes its way through and as a stream of silence. The words themselves may bring silence within the mind-space of a reader. Words may sometimes break into one's silent or noisy or chaotic or nonsensical world as well, and make strange and then abiding sense but to only the hearer. Language and writings translate words to pictures and images and thought... Language lets, it seems almost banal and terribly trite to mention, humans communicate.
I know only one language not-too-terribly-badly. I very badly wish I knew Bengali just as not-too-terribly-badly. I sometimes think that I must have spent many, many, many lifetimes utterly illiterate and uneducated. This is not a disjointed thought. I feel that way because I steadily realise sometimes in gentle spasms, in blissful showers that also ache, and sometimes like a cold shock that learning even one language well, understanding it well, and using it well (by which I mean superlatively well) is given to the rarest of the rare. I know that I sometimes don’t quite understand English when I read prose or poetry. And I don’t mean abstruse or badly written material. Neither do I understand much material that is read by many in Philosophy, Sociology, Economics, Political Science, History, Psychology, and so on and on. It’s one thing to digest and then dismiss. I can’t even get over the first hurdle of actually comprehending and following what I read. I don’t quite know how I understand what I do either. I’ve tried to understand this but I don’t think I’ve gotten intellectually wiser about this.
I learnt English at a very early age, and loved the language without thinking or even knowing that I loved it. I loved language and liked using it and liked playing around with words and sentences. I liked the sound and look of words. And I read in snatches and deeply and loved that too but never thought that that reading or writing which I stayed with was something that required thought or needed any justification. By 8, I had a firm and fast friend within me who was telling me constantly and insistently that I must never forget English, and that I had to master it as well as I could. It was something rather remotely similar to walking fast. That may sound weird. But it was a matter of compensating for other stuff that I didn’t have, couldn’t master no matter how much time I was given, and couldn’t keep up with. By Class XI, I remember that I had been maintaining a steady diary and other random note-books for sudden writing urges but stories I could not write. I was not a story-teller. I sometimes started but they never quite got to the end. Some faltered mid-way. I think there are some people who are born story-writers and others who are not. Maybe it is a talent that can be honed and requires a particular hungry and insistent and imaginative mind-set but I don’t have that and didn’t have that. My muse for story-writing is either lazy or non-existent or cannot think beyond what it has seen and heard and lives with. Not a particularly imaginative nor a particularly intense nor passionate muse then, I guess. Or maybe I have a monomaniacal muse. By the time I was finally doing my Master's, I became horribly arrogant and a little too obsessed in how I expressed myself and I was the same way in college. I liked the mode of expression and paid a keen attention to how I said what I did but there was very little I think in terms of content. I simply followed my thoughts. I don’t have any of my diaries or any old writings with me but I’m sure I must have sounded just plain convoluted. I think I had the tendency of adding too much sauce as well apart from sounding unnecessarily long-winded and unwieldy.
I do know though that other authors sometimes influenced how I wrote and terribly. I don’t know whether this happens with everybody but I do know that it happened excessively with me. I was determined by the style of the author I was obsessing over through my school years and in my college years, and I know Agatha Christie, P.G.Wodehouse, Roald Dahl, and Ayn Rand come to mind particularly. Then came the horror of realizing, and at 25, and without the earlier who-cares-about-that attitude that I didn’t know grammar at all. Not only did I not know grammar but I hadn’t followed the basic principles of grammar in my prose (or in the hasty and insane fit of poetry writing that probably all Bengalis fondly go through). And that was that. I taught myself grammar frantically while teaching a bit of grammar to others, but still don’t understand very basic rules and almost nothing of punctuation.
Language is a mighty strange thing. I don’t understand semantics or semiotics or linguistics or anything of that sort. I do know that I don’t like just form without content but sometimes I can see when I read what I do that the form blesses the content with an unusual beauty and tone and an uncanny depth. The only thing I started becoming obsessive about, and with reason, is the use of particular words and knowing whether I wanted to use a particular word in a sentence. I obsess over getting sentences to mean what I want them to mean but don't always succeed. It seems like a very basic thing but I fret over it in a rather paranoid way sometimes. I started pondering more and more about how words can mean something in a general way, given the common dictionary meaning, and yet words and phrases mean something specific to the user and the reader and the hearer and the writer. Sometimes I look up the dictionary to see what very regular words mean. Sometimes I need a dictionary thrown at me. Sometimes I don't look at a dictionary even when I should. Sometimes I think one should come up with a dictionary to give meaning/define words that can mean different things to normal people and to people who might have non-normal experiences.
Humans communicate through language, and the written or verbal way is the only way I've communicated for most of my life, and sometimes it is a beautiful and many-pronged affair….yet I sometimes can’t help wondering and furiously how we manage to communicate through language given that words, turns-of-phrases and even sentences so often have a double-meaning, triple meaning, and depend upon the mood and mentality and mind-frame of the people communicating; on what we choose to pay attention and what we choose to let pass during those moments. The common framework exists and so many layers and hidden layers and more and more emerge and wait to emerge through the dance and music of language sometimes. I can’t quite imagine a world where there is no language but and since I was suddenly exposed to the world of sci-fi literature so late in life, I came across the idea of communication in a 'language' but not in the way we generally understand it, rather late in literature. Only it neither felt like fiction nor fantasy and I didn’t understand the science behind it.
“First there was light”, was there, yes? But did the word come before or after or with the light? I have recently had wondering bouts very late in the night ‘bout the matter of language - physically alone but not exactly lonely, embalmed in a non-silence while carefully examining the red-orange glow of a cigarette, and with sometimes a half-hanging smile for company.
21 January 2012
The golden deer....
13 November 2011
A little gift from the river
17 October 2011
On desires and on 'winning'
Painting/sketch: Rabindranath Tagore. Untitled. Downloaded. 16th October - 11th November 2011: There are some liners from books, movies, and songs that sometimes play over in the head with greater frequency, and they keep one company even as one goes about one's daily life. Last year at some point I'd been pondering over 'if winter comes', (although I couldn't frame the thought). At some point when I was immersed in the first embalming shroud of a reluctant winter, and I was silent for the most part and doubting myself and there was nothing I could see particularly well, I felt like saying (although with far less excuse than Frank Slade), 'I'm in the dark here'. People fond of me were looking at me with not much fondness nor much hope almost like they were giving up on me, and there were some liners from Viktor Frankl's autobiography which made me say that if he could believe in his bit of hyper-reality, and in the midst of going through what he was and at Auschwitz no less before he was sent to Tϋrkheim, I had no earthly nor divine right to think I was in the dark. I couldn't really see much, and I do have myopia, and sometimes need new glasses without knowing it but along with Shaw's St. Joan I had to say within, 'By what other judgment can I judge but my own?' – although I wasn’t too sure what I was judging by my own judgment. Positive thinking however sometimes helps, even though one doesn't know why one is thinking positively but sure enough sometimes shining drops of much-needed hope come from other quarters, and also the everyday sort of joyous hope, which is just as important – and from older and younger friends. And sometimes that lit-up hope says that there are some other people too in this physically real world, others who live and smile...
Lately, it's been a defiant, accepting, disconsolate, and rather melancholic but proud liner, from the Abba song, 'The winner takes it all...' (and just that liner blaring out unless I’m actually half-listening to the song while doing other things). There's another line that sings in my head these days, Jo jeeta wohi sikander. Not entirely disconnected from the previous Abba liner. It's from a movie of the same title that I enjoyed watching in my school-days.
Is life a race or a game though where one wins or loses? It does seem to be a game sometimes, and a game where one gets to know some of the rules bit by bit, and a game that’s not particularly fair or square, and sometimes one isn’t so sure whether one is getting any better at actually playing the game. One takes a leap (of faith?) and seems to be racing through, and with smiles too, until one lands into a river instead of what one assumed would be a sand-pit. It seems peculiarly brutal too at times even if one is sometimes an observer to the brutality and the cruelty (which doesn’t always draw or let blood although that too does spill) and the banality. It seems hard and real at times especially in its drudgery, sadness, everydayness, bland normalcy, poverty and sickness (not just physical) but undeniably real in the sudden, sometimes fleeting, and somewhat translucent sense of mystery, magic, charm, laughter and serendipity. It also seems peculiarly individual, personal, private and even isolated but not-quite-so at times.
I sometimes wonder how we win or lose in life, and what determines winning or losing. Some great people say that it's the choices that define who we are, and not our abilities, and sometimes I gladly and stubbornly believe that and sometimes I can't help but raise my eyebrows to say, 'really?' And so, what if I make choices and I don't win or worse just seem to be losing time and with it the possible dreams? Who's going to say, 'well done' or 'well played'? And I do want to see the smiles, the satisfaction, and the happiness on real faces, and not just from the imaginary audiences who were once cheering me on in my head. One may raise the quiet question, 'what do you mean by winning though?' It's not unrelated, this question. Because we do say very sagely that life isn't about winning or losing but about playing well and hard and true. And it's also true that I don't want to win formal prizes at competitions, and stand on the number 1 spot for the Olympics 100 m race with Jana gana mana playing in the background. I'm not talking about winning races but I certainly strongly desire to be useful (as Janet Jeppson Asimov says) or to be of benefit (if that sounds better), before I pass off, and by playing well and hard and true and by making the choices that I make – that I won’t deny.
The root of life does seem to be '(hairy) desire'. This answer had erupted in my own head and upon a whispered question within from my fimh towards the beginning of the previous decade, ‘what is the root of life?’ I started reflecting upon the Buddha's second Noble Truth not infrequently, and only because of an essay written by Suvro da, which I read also towards the beginning of the previous decade. Desiring (or craving) for 'x', in some sense, is one of the things among other things which leads to unhappiness, dissatisfaction, pain and also possible and potential suffering but desire begets the experience of life itself. It seems almost like those self-evident things that one imagines that one always knew and one nods one's head and says 'yes, I always knew that' but it's one of those things that one wouldn't have known at all until somebody hits one with that question...'what's the root of life'? and until somebody also gently prods one to think about it, and earnestly and more than once. Desire, if one reflects upon it (and people can reflect upon it in different ways) can also be without the constant and insistent craving. I think it’s sometimes possible. And if one reflects upon life and living one can also gradually and quietly eliminate many things on the list of ‘things’ – material or non-material – that one seems to crave for or had seemed to matter with a ‘not this’, ‘not this’, ‘not this’. And if one engages in this enterprise there are certain factors that emerge:
It’s not a matter of repressing desires but it’s a matter of sifting through one’s basket of ‘desires’ and with directed help from the external world and one’s internal world.
It’s not a matter of an authoritarian stamping out of all desires.
It’s not a matter of being the fox who couldn’t get the grapes and called them ‘sour’.
And it's good to remember what Tagore, in his very matter-of-fact way points out, ‘mere renunciation of the world does not entitle one to immortality’.
Eventually, one may see what one desires - and it might not be terribly clear at the beginning - given the external world and reality as we know it and sense it, and from the deepest part of what we call a ‘self’. With that bit in place, one might think that one is enlightened with nothing really left to do. An exceptionally detached frame of mind or even an exceptionally aroused frame of mind may sometimes give rise to such a feeling. Genuine desires however are connected to one's purpose and meaning in life, and so one soon realizes that one is being an ass because one can't possibly sit and do nothing. So while the inequalities of life and the level of pain and suffering differ enormously – at the level of an individual life if one chooses to remain and participate in life as a regular human being and with certain desires and a certain attachment to the physical world still firmly in place (related to doing good/being useful/doing something beneficial/being happy and bringing some genuine happiness), the first Noble Truth sticks and makes its way felt through the second.
If one sort of even glances through some of the biographies of the great masters, one can spot a cardinal difference between the Buddha (in how he is depicted, at any rate) and the rest. The Buddha really did seem to have reached a state of 'imaginary grace' where everything and everyone counted but nothing and indeed nobody mattered (about the Buddha maybe some other day; I’m not, by any stretch of the imagination, a proper scholar on the Buddha, anyway), and yet that did not stop him from doing what he had to do (although there’s a story about that). He did what he could do. He became a teacher. Life then is not just a matter involving thought, reflection, and contemplation. Human beings aren’t just ‘floating minds’. Living, no matter whether it seems and feels like a game or an illusion or even a delusion or a drama or a stage-play also involves being, acting and doing along with the connecting within.
But how much and how far does one go into seeing and experiencing and connecting within with the ‘spinning wheel of life and death and what-not’ before one stops in one’s tracks (or is made to stop in one's tracks), and says, ‘that’s all I can take, thank you, and I’ll take what comes from making my choice because this is the only choice that I can and want to make given who/what I am and have become’? For as one participates in life and plunges into one’s own consciousness, one sees the glowing bits born of one’s own experiences with life and living and the relations that remain. One is reminded for instance of Herman Hesse’s Siddhartha (also read towards the beginning of the previous decade), who travels far and wide, up and down and all around all kinds of paths, engages and experiments in much in his own search for enlightenment, and then finally finds his meaning in life, in and through his son begotten of a nautch-girl. I sometimes wonder where that story could go from there. This Siddhartha already knew that the choice he was making necessarily implied that he had ‘returned’ to be attached to life, and primarily in the form of his son. And through attachment then, this Siddhartha re-joins the cycle of life, and with it all the entanglements of life. Gives reason to ponder upon the Buddha’s principle of pratityasamutpada.
Space and time do not permit me to leap along this path, and so I bring my post to an end for now while having different liners floating around while returning to doing what I can (‘because nobody else can do it’), am able to, and have to even though I don't have the sure-shot prescience to know whether I'm winning or losing or doing any good or facing and engaging with life 'zestfully and with an earthy good sense' or whether that liner from a Miss Marple book, ‘Intelligent girls are so likely to become imbecilic if they are not careful’ fits me to a T. And since one doesn't know one has to say 'it ain't over till it's over', 'where there is life there is hope and light' and also a quiet 'Jesus Christ', every now and again, and hopefully see and hold on to one’s own radiant light blazing away, which is not (thank heavens...a 'Holy Moses' would be more appropriate) a speaking bush on fire in the middle of a desert.