At one point in time I was absolutely sure I was going to be a writer by profession. Now I know that won’t happen. Not only did I not have the required gumption, which would have been one thing, but I sorely lack(ed) the imagination and skill. And then when I discipline myself I realise that there are holes in the way I imagine things, and there isn’t much of a fertile, brewing imagination - no paths, forking or otherwise - with which I can fill in the gaps. I think it’s what Arthur Koestler pointed out in his The Ghost in the Machine (a book recommended to me in the first year I was here by the only mentor-friend I've ever had). The ‘things I see’ seem to be one whole fabric but then when I sit to put them down there are holes and I don’t know how to fill them. I know I can string words together - yet there is more to writing than stringing words. I know I can describe things but there is more to writing than mere description. Sure, I sometimes have grand ideas/images – but I concur with Asimov and with all other intelligent people who think the same way. It’s the writing that is the real thing – the ideas, well frankly – everyone has ideas. Asimov narrates that a boy once sent him an idea for a story and told Asimov that he wanted half of the royalties once Asimov published the story/novel. Asimov shot out a reply – I’ll give you fifty ideas. Write out the stories and keep the royalties.
I remember when I was in college there was Pakshi Vasudevan who used to write a column for The Telegraph. Little snippets of daily life. Not outstanding but sometimes quirky and sometimes amusing, often times thoughtful and observant, and sometimes uninteresting. I wonder whether I’d like re-reading the columns if I could find them now or whether it was just a phase. I think I would have been able to handle writing a column of that sort. Nothing too strenuous. Nothing too jarring. Just pleasant writing. How pleasant....?
A bird hopping by. An abandoned cat who is dying, but loves being near human beings. A stray cat, with one bad eye, who doesn't trust humans but has befriended the neighbour's black and white tabby. Two cats sleeping in one basket. A giant spruce that is supposed to be about 50 feet or even 70 feet tall but is less than a foot and seems to be growing by the millimetre every year since I've seen it, and how people in the neighbourhood fear that it's never really grown much in all the time that they have seen it. A creek with frozen water. Trees with icicles all over, which make everything around look like a scene from a fairy-tale with no fairies. Grey skies and a faint lemon yellow sun, a sweeping snowstorm, a remembered story, and a walk through the town and over the bridge with the river below, which is filled with happy ducks and flapping ducklings, missing people so far away.....
The homeless man near campus who talks with himself, and whom I've seen every year for every year that I've been in this town. The girl who looked like an 11 year-old who talked with me breathlessly one evening saying that she had run away from a foster home and that she wasn't going back and that they didn't want her back. The boy who had leapt from the 10th floor of a dorm room, and whose body was found half-hanging out from a garbage dumpster. A clever student who died in a car-crash just some hours after he had sent an e-mail with a question about an assignment....
What does it mean to know something? At how many levels can knowing happen? What happens inside and then that which happens again? How does one know that knowing can be trusted or believed? What is knowledge, wisdom, or awareness? Where does conscious awareness come from? What's truth? What's the meaning of life? Who brings/gives meaning? Is it all a mistake? Some kind of a terrible game? Can unkindness be done away with? Can fear really be banished? Where really is God? Whose God? What is life without love? What is anything without love?....
Anything that requires thought I don’t seem to want to write about any more. I won’t go so far as to say that I don’t think about other things – but why I won’t write about them is something I never can quite understand. Is it because I don't really have any thoughts? That I don't even know what questions to ask. Or is it because that real writing takes a lot of concerted effort and determination, and most of all it requires a well-ordered mind so that one knows what one wants to or desires to write about and writes exactly that. I guess the last one is useful while facing lots of things in life, and as Dumbledore pointed out, and beyond.
I don’t remember exactly when I read Fulghum’s classic – All I need to know I learned in Kindergarten. Was it in school? In high-school? It was sometime then. I don’t remember very clearly but I remember the friend who told me to read the book knowing that I’d love it. And I still do. I remember the friend and I still love the book. I would have been happy writing one ‘something of that sort’. I’d have felt quite smug too – knowing that I had made my contribution to the world in some way and for making the money – and I know exactly what I’d do with the money. Chickens and eggs.
I read The Little Prince on Saturday for what has to be the hundred and seventh time – and I know for sure that I would never be able to write something as simple, as magical, as imaginative, as real, and as bizarre as that. It takes a different mind to spin a story of that kind…
When I read Ursula LeGuin’s The Wizard of Earthsea (because a friend had been pestering me to read it for months) some days before I turned 30, I experienced a similar feeling. She has spun a world with characters that is simultaneously unreal and real - and the manner in which she lays out her world and presents her characters as they grow makes me feel as though she has lived in the minds of these characters and in that world – it is a world that I carry around with me. Ged will be with me. And while it is a series written for young adults – she doesn’t seem to think that everything needs to end on a perfect note or at a point where everything is saved with The Chariots of Fire music playing in the background. It is a muted series where something terribly important, the most important I would say, unfolds and comes through in a subtle and almost ‘always known’ manner apart from all the adventure and the horror. Yet other things – some broken things, which do pain one, are never repaired. It’s a series that I would have loved if I’d read it in school but would have also known that imagining a world and its people in the way LeGuin does was beyond my ken. That now is imagination – yet I’ve never heard her thump any drums about it….
I write I now know because I have to. But I write only the minimum – the bits that I must. The rest stays inside my head mostly rolling around and getting mixed up with other things and sometimes when it reads something it recognises – it does some head-nodding and head-shaking, and then it goes back to what it was doing – rolling around. The bits that are written are written because otherwise I get crotchety. The bits written are something like coffee, cigarettes, and bread, and communicating with some real human beings, and the friend in my head…
I like knowing that some person somewhere likes what I write…and as self-centred as it may sound – I like re-reading some of what I write. I even like re-reading some bits that nobody else happens to like. I don’t like re-reading my gushy mails or gushing diary entries, which embarrass me to no end when I chance upon them later (and I have the unfortunate habit of gushing) and I dislike my academic writing, which never sounds smooth or informed enough or remotely interesting and sounds somewhat, excuse me, constipated. I don't think I write enough to like or dislike what I write - but still. Hmm.
1 comment:
It's good to like to come back to what you have written: often that's one of the few things that keep you going.
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